Because we will expand the sound in pitch by a factor of two, we need half the interval (in octaves) between the centre frequency of 440 Hz and the maximum frequency for analysis than we'll have between the cetnre frequency and the maximum frequency of the synthesised sound, which is 20,000 Hz. So with all these parameters, we now need to calculate the minimum and maximum frequencies we want to use for analysis, that's what we'll put in config.txt prior to opening the sound. Now, we want to cover the entire audible range for the output, so we want the result to range from 20 Hz to 20,000 Hz. There are two factors that need deciding, the expansion ratio we want, here 2, and which centre frequency we want, that is, which frequency will stay the same throughout the expansion. This is done here by setting analysis parameters so that only about 5 octaves of the original sound are analysed, then the frequency settings are changed so that these 5 octaves are stretched in pitch across 10 octaves. Therefore, two notes one semitone apart become two semitones apart, which creates a melody that sounds different from the original melody. It consists in expanding the spacing in pitch between notes so that each interval doubles. The video shown above is an example of interval expansion, an effect that can only be achieved through spectrogram resynthesis.
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